And then, yeah, we’re staying in Venezuela for some sensitive boy time…

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[6.00]

Josh Langhoff: To avoid long-term injury, seek immediate medical help for an erection lasting more than four hours.
[5]

Juana Giaimo: Thanks for your effort, but we already have too many of these plain, generic Latin love songs on the radio. 
[5]

Iain Mew: As a guy who shares his name with, among others, several musicians and the Brazilian football team’s goalkeeper, you’d think César might make an effort to stand out. In fact, this sounds perfect to sink into any background, not through laziness but through the sense that it would be rude to demand any greater attention. Its trad pop-rock plays out with a lot of charm and a little style.
[7]

Alfred Soto: A trifle, but with spirited drumming and César doesn’t overdo the charm. 
[5]

Rebecca A. Gowns: Highly melodramatic lyrics delivered with a peppy guitar and hip-swaying beat. The bridge is very silly. He seems like a nice guy.
[6]

Megan Harrington: This sounds effortlessly happy, the dream of a life no one lives. It’s the space that exists between your Facebook-inspired jealousy and your friend’s rigorously pruned and fluffed self-presentation. “Me Elevas” isn’t real, but everything around it is and the desire for that non-existent center is more powerful than César’s citrusy beach pop might first suggest.
[7]

David Sheffieck: I can’t go outside for five minutes without starting to lose feeling in my fingers, so this sounds perfect — especially once the warmer-than-warm backing vocals pop in on the bridge. I’m pretty sure if we could figure out a way to set up enough loudspeakers to broadcast this across the entire Chicago area, no one would need to wear a jacket tomorrow.
[8]

Patrick St. Michel: Oh, this is totally forgettable but so breezy, the sort of song that makes me forget that I bought new sweaters yesterday. 
[5]