From Luca, a multi-hyphenate inviting us to the dancefloor…
[Video]
[6.50]
Luca Zingali Meira: The dancefloor as sexual tension, flirting with release but not reaching it. Yet.
[10]
Joshua Minsoo Kim: Adequately captures the sensuality and drama of the dancefloor, with Letícia Novaes’s moody vocalizing ranging from effective (the hushed talking) to annoying (the final stretch of witch-like cackling).
[4]
Anthony Easton: How did something Brazilian sound so much like Amanda Lear with a slightly updated beat?
[5]
Katie Gill: This is fun! That backing is infectious and the way the song builds up to a beautiful crescendo of sound is downright amazing. The constant techno background pulses and pushes, contrasting wonderfully with the nice, drawn out, slightly lethargic vocals. A brilliantly fun piece of electronica.
[7]
Alfred Soto: Sardonic, swirly Eurodisco whose sequencer could’ve come from a Holy Ghost! track circa 2010 gets a new lease from a Brazilian singer.
[6]
Iain Mew: The methodical neon progress of the first part has an amazing sense of momentum which the low-mixed, part-swallowed vocals only add to. It’s like words have ceased to have any relevance in the face of the music’s certainty. Once a mere cool synth-pop song eventually flares out from it it’s faintly disappointing.
[7]