Sounds like…
[Video][Myspace]
[4.75]
Chuck Eddy: I know what boys like. I know what guys want. I make them want me. I like to tease them. They want to touch me. I never let them.
[7]
Martin Kavka: Opening to the lower state of con…scious…nezzzzzzzzzzzzz.
[1]
Alfred Soto: Stacey Q cooing over a deep house 808 track circa 1991, and not nearly frantic enough.
[4]
Anthony Easton: Kind of reminds me of Peaches, but obsessed with second hand pleasure, with how men respond to her sexually, as opposed to how she responds sexually to herself.
[7]
Anthony Miccio: The kind of “Deep House Dish” novelty Lady Gaga knows better than to release: once you’ve said “I’m a fuck doll” people aren’t going to hear anything else.
[6]
Martin Skidmore: It doesn’t really deliver on its repeated promises, and Janee sometimes sounds almost as Teutonically robotic as Miss Kittin, but the infectious bass on this is completely irresistible – it’s hard to imagine even a single element this great not catching on, despite the ’80s acid house “woo!” samples, which I had thought we had seen the last of.
[9]
John Seroff: 20 Fingers without a sense of humor but with one of the ugliest and most unpleasant videos in recent memory. I doubt E and Red Bull would make this sound any better and I pity those who are condemned to find out if I’m right.
[2]
Alex Ostroff: Janee starts the song by declaring that boys like naughty party-loving dirty-talking girls, and spends the rest of the track subsuming herself into the role of faceless fantasy object. It would be noxious if it weren’t so incredibly self-conscious. Robotic and monotone, the come-ons feel affected and mechanical, and are periodically interrupted by reminders that “it’s just a fantasy.” The bassline squiggles and the beat clicks, and Janee’s taunting vocals get chopped up and rearranged, as constructed and manipulated by Mos Wanted Mega as anything else here.
[6]
Iain Mew: The clipped vocals and flat, monotonous production mean that, some half-hearted heavy breathing aside, the words are being entirely relied on to provide any excitement. Given which, they are not nearly filthy or imaginative enough.
[4]
Alex Macpherson: Flat Eric, reimagined as Pneumatic Erica.
[6]
Additional Scores
Spencer Ackerman: [3]
Hillary Brown: [2]