Sometimes people have a good reason for wearing sunglasses indoors…
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Al Shipley: The once ubiquitous T-Pain’s first top 10 hit in the nearly two years since “Blame It” couldn’t be less deserving, with an overcooked hook where he affects the sour milk ugliness of AutoTune more in line with Ke$ha than his earlier hits, right down to the weird emphasis on the letter R.
[1]
Jonathan Bogart: It might be a little much to call this a comeback record for either dude (did they ever really go away?), but Pitbull’s gotta be looking back on 2009 almost as hungrily as T-Pain is looking back on 2006, and the result is an uneasy blend of booty-bass grind and slick R&B robo-sleaze; similar enough to recent hits to sound instantly familiar, but not quite different enough to stand out. Their shared geniality is probably each gentleman’s best feature, but it’s that very geniality that makes it easy to churn out what should be worked for.
[6]
Alfred Soto: Pitbull can finally afford T-Pain and the anonymous club disco he fawned over on Ocean Drive.
[2]
Kat Stevens: One of these days I am going to plot a graph with T-Pain on the x-axis and Eiffel 65 on the y-axis and have an EQUATION named after me.
[4]
Anthony Easton: I could do without any of the verses and have 4 minutes of noise and T Pain saying “oh baby baby” over and over again.
[6]
Martin Skidmore: I really like Pitbull when he gets energetic. The robotic T-Pain contribution bores me as usual, though it’s a decent hook, but the beats thump and pump along enthusiastically.
[6]
Katherine St Asaph: When people criticize your vocals (this goes for both; I don’t know which one is the worse offender), the proper response is not to emulate 3OH!3.
[3]