Peso Pluma & Tito Double P – Dopamina

March 5, 2026

Dame más…


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Nortey Dowuona: I understand many are going to look at me crazy for this score, especially after I shat all over the Ateez song, which was the exact same thing. But unfortunately, Ernesto Hernandez and Ivan Leal could make Que cuánto costó, ya ni pregunto, lo que sea yo lo pago sing, and y’all can’t.
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Al Varela: Peso Pluma and Tito Double P are a great duo because their voices are a perfect contrast to each other. Tito Double P’s hoarse, deep snarl blazes through the staccato horns and choppy guitars while Peso Pluma’s nasal rasp slithers through the pittering percussion, both artists sounding unhinged and delirious while doing so. It’s mostly luxury brand flexing, but the precision of the band and how they sputter out these melodies and rhythms, alongside Tito and Peso’s feral performances like this fame and fortune is turning them into supervillains is nothing like you’d hear anywhere else in the world. If nothing else, the way Tito Double P says his own name like he’s Gollum muttering to himself deep in the cavern is really funny.
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Jacob Sujin Kuppermann: Perfectly captures the feeling of hanging out with your cousin and riffing endlessly; docked it a point only for how odd that choir sounds at the end.
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Andrew Karpan: Fragmented in a kind of moving way, like a recollection of memories from a long, blitzed night out, Pluma & co. make a convincing argument for extended use of the trombone and other such ye olde pop touches.
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Jessica Doyle: Maybe I just don’t have the ear, but Peso’s delicate handling of “encriptado” seems like the only moment in the whole song where either of these guys are having any fun.
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Julian Axelrod: This is paint by numbers Peso Pluma, but Dopamina is a beautiful name for a girl.
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